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The Beat
Jan 04, 2024

The Beat

Reflections, context, and the places we call home

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Dec 29, 2023

The Beat

2023 in Retro: Investments, implosions, and innovations

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Dec 21, 2023

The Beat

Brenda Lee, Pariah Carey, and the cozy contours of a vinyl record

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Dec 14, 2023

The Beat

Pragmatism, alchemy, and the beginning of the past

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Dec 08, 2023

The Beat

Sybil-cybin and music for airports

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Nov 30, 2023

The Beat

Goa Trance, burning CDs, and the garish light of too much

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Nov 16, 2023

The Beat

Nina, Unter, and the Ted Gioia scale of musical transformation

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Nov 09, 2023

The Beat

Double standards, Creative Commons, and faith

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Nov 02, 2023

The Beat

Free 2 Play, digital colonialism, and changing the rules

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Oct 26, 2023

The Beat

Irrelevant instruments, the Ampled legacy, and enshittification

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Oct 19, 2023

The Beat

This machine kills copyright: Minting a Bob Dylan song and resurrecting folk traditions

Decential Media
MacEagon Voyce
Decential Media, +1
The Beat
Oct 12, 2023

The Beat

Gilberto Gil, the emperors of music, and a worldwide samba

Decential Media
MacEagon Voyce
Decential Media, +1
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A weekly recap of the latest news at the intersection of music and web3

The Beat

A weekly recap of the latest news at the intersection of music and web3

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